Back in the late 1990s, Nickelodeon had a neat cartoon show called Oh Yeah! Cartoons that I loved to watch. It was an ambitious project in which a large group of animation directors and other personalities, young and old, worked on a series of almost one hundred shorts featuring a wide variety of new characters (fifty-four characters all told; for some strange reason, I want to see all of these guys in a group shot on a T-shirt). These shorts acted as what is known in the television industry as “backdoor pilots,” meaning that any shorts that got a particularly great reaction from Nick’s executives or the viewing audience (maybe even both if the short was really good) could be turned into a new cartoon series for Nick. This was how we got such shows as The Fairly Oddparents, ChalkZone, and My Life As a Teenage Robot (the original short was called My Neighbor Was a Teenage Robot; not much of a difference, I’d say).
All of these cartoons are quite memorable to me, but there is one particular short that stuck in my mind long after I first viewed it. The short What Is Funny?, directed by Will Burnett and Vincent Waller, features a dog named Slap T. Pooch (Anyone wanna bet the T stands for “The?”) who is always asking the question posed in the short’s title while being caught in increasingly bizarre and presumably funny circumstances. There’s all kinds of humor demonstrated in this cartoon, and in a neat way, it has made me think deeply about what I find funny and why certain things make me laugh. I’ve wanted to talk about this kind of thing for a long time, and I feel that now is a good opportunity to do so. The following are five observations I have made regarding What is Funny (Mind if I not use the question mark for the rest of this blog post? Thanks, it saves me a lot of headache!), what I find funny about it, and why.
1. Funny is simple yet full of detail.
The premise of What is Funny is pretty bare-bones (pun unintended, all apologies to Slap the dog). Slap wants to find out what funny is and is willing to go to any absurd length to get a good answer (and in just under seven minutes, no less!). This premise probably sounds very mundane on paper, but that’s the beauty of it in my view. A lot of cartoons have amazingly simplistic plots: Elmer Fudd, a hunter wants to blast Bugs Bunny and Daffy Duck to smithereens (I wefuse to type that as “smitherweeens,” bwast it!). Wile E. Coyote wants to catch the Road Runner. SpongeBob Squarepants just wants to work at his dream job and enjoy life in his off time.
What makes these premises funny is that the way they are achieved is so gosh-darned strange. Elmer has to deal with a Brookwyn-accented wabbit and a screwball duck who compwains of “pronoun trouble.” (See what I did there? I’ll stop now for sanity’s sake.) The coyote, instead of using his own natural reflexes, relies almost entirely on mail-order products to get his fast-moving dinner (not that he ever gets it, mind you). SpongeBob works as a fry cook, but he flips his patties in a colorful underwater cartoon fun-land, and the rest of his adventures are certainly not boring by any stretch of the imagination. It’s the same with What is Funny. Slap’s exploration of humor is bizarre and takes a lot of unexpected turns. The question may be simple, but the details encountered in answering that question give this cartoon a strange life of its own that I find fun to explore.
2. Funny could be gross (especially if you’re on Nick in the ’90s.)
One of the first things in What is Funny that had me chuckling was Slap contorting his face into various unexpected shapes, some of which looked really strange (the bit where he had his lips wrapped around his whole head with just his teeth showing and he was singing “I’m a Yankee Doodle Dandy” was a laugh riot for me). This kind of sophmoric “gross-out” humor was quite common in Nickelodeon cartoons during the ’90s, so I wasn’t too surprised when I found it here as well. Not to mention that Vincent Waller, the director and one of the co-creators of this short, was also a prominent member of the creative team behind Ren and Stimpy, the unofficial king of gross during Nick’s early days; go figure. To viewers who prefer more sophisticated humor, such visual (and visceral!) material is likely excruciating to take in (or block out).
Personally, I like this sort of stuff. I grew up watching it a lot on Nick and Cartoon Network, of course, but characters squirming and stretching around in bizarre bits of anatomical madness is something that just appeals to me on a base level. It seems to me that it has always been a part of cartoon culture, too; Daffy Duck was moving his body in all sorts of weird ways from the first moment he “Woo-hoo”ed onto the silver screen, and his signature squirms in The Great Piggy Bank Robbery remain among some of my favorite cartoon visuals. That traditon is alive and well in What is Funny, and you can still see it in plenty of cartoons today. Good enough in my book!
3. Funny can be hazardous to one’s health (namely the cartoon star’s health), but it doesn’t seem to leave any lingering effects.
Daffy Duck gets his bill blown off numerous times during Rabbit Fire, but he just puts it back on and continues arguing with Bugs. The dog in Tex Avery’s Bad Luck Blackie suffers all sorts of physical calamities after the black cat crosses his path, but he recovers by the time the screen fades out then back in for the next gag. In What is Funny, Slap is grabbed by an eagle and dropped into a wooden tub full of “deadly” stockbrokers (they do work with bulls and bears after all) and suckerfish, which apparently change into thumbtacks and squirrels on Slap’s command (only in a cartoon, I guess). Even though Slap clearly has a pained expression on his face and says he doesn’t find these objects particularly humorous, the results did elicit laughter from me.
Of course, pain is no laughing matter in real life, so why does it draw guffaws in cartoon form? I think it’s because the pain in cartoons is usually of the exaggerated kind. Rarely does one suffer real pain in such obviously outlandish ways. Besides, it doesn’t seem to affect cartoon characters very much; all that happens is the camera fades away and then comes back to find the characters have fully recovered with no apparent scarring. There’s also a handful of instances where characters have literally shrugged off the results of their pain and stripped away all the bandages and boo-boos, returning to their usual healthy selves faster than one can say “fountain of youth.” It seems to me that pain has no real consequences in the cartoon universe other than drawing laughter out of the huge vacuum between fictional injuries and real life.
4. Funny likes terrible puns. ‘Nuff said.
Come on, what else could I possibly say about a bunch of talking gingerbread men calling themselves “tough cookies?” That’s just clever right there. Not since Mr. Peabody has there been such a perfect use of lousy wordplay to great humorous effect. That’s not just funny, that’s funtastic.
5. Funny never has to explain itself.
Okay, I know this last point probably doesn’t make much sense given the title of this blog post, but there is an element of What is Funny that works in just this way. Throughout the short, a farmer, a chicken, and a pig keep popping into frame and singing “What is funny?” over and over. Why they are doing this is never really explained. It’s just a strange funny thing that is endlessly repeated to the weirdest cartoon music I have ever heard (though it is sort of awesome to me that it sounds almost like the X-Files theme). There is one thing about it that kind of makes sense in retrospect (the TV Tropes website refers to this type of retroactive realization as “Fridge Logic“; the more you know). At some point between the second-to-last and final appearances of this strange “Greek chorus,” the pig is turned into bacon and package-wrapped, yet still has a recognizable face and is still singing. It’s pretty senseless, but I still think it’s neat.
What do you think is funny? If you watched the What is Funny cartoon yourself, what did you find funny about it and why? Do you think Slap T. Pooch could have been successful in his own series? Let me know in the comments, and keep on laughing! (Oh yeah, one more thing… Oh Yeah! Cartoons had one of the best theme songs I’ve ever heard. I thought it was a bit strange that it was always played over the closing credits rather than at the show’s beginning, but it was still one of the most memorable parts of the show for me. Give it a listen (as well as this longer version) and tell me if it made you go “Oh Yeah” or “Oh No.”)